After the 2025 cancellation and the whole $400+ ticket price controversy, Sick New World is back for 2026. System of a Down headlining again (they've headlined every single edition), Korn co-headlining, and a lineup that's arguably the best they've ever put together. Are you buying in? Did you get burned by the 2025 cancellation, and you're sitting this one out? Or is this lineup too stacked to miss? Drop your take below.

OneRepublic released their fourth studio album, Oh My My, ten years ago today on October 7, 2016 on Interscope Records. Following their 2013 record Native, the release pushed the group into fresh territory before they followed it years later with Human in 2021 and Artificial Paradise in 2024. Across a discography that started with Dreaming Out Loud and Waking Up, it holds a distinct place. Where does Oh My My sit in the OneRepublic discography for you today?

Is it worth going?

A recently resurfaced photo from a legendary Metallica gig in California 23 years ago is a brutal reminder of the band's unmatched live energy during that era. Looking back at the raw crowd shots and setlists from the early 2000s, it's wild to see how global titans playing massive venues still carried the ferocious hunger of a gritty garage act. They just had this rare ability to make a sprawling arena feel like a sweaty, claustrophobic club show. Archiving these specific eras—the deep-cut setlists, the tour lore, and the nights where everything just clicked perfectly on stage—is exactly why we're building out their wiki over on The Band Index. It’s too easy to lose the history of these defining shows, and digging into their gig archive is the absolute best kind of rabbit hole.

Rex Brown recently looked back at Joe Giron’s photo archive and called him the unofficial fifth member of Pantera. If you’ve seen the shots from A Vulgar Display of Pantera, you know exactly why. The dude was there for everything—from the spandex-clad Texas club days when Dimebag was still going by "Diamond," to the absolute demolition derby of the Reinventing the Steel tour. Phil Anselmo said looking at the early 90s shots just reminds him they were waiting for the camera to click so they could hit "Beer:30." Which era of Pantera do you think looked the most purely unhinged? Are you taking the hungry Cowboys From Hell days, or the peak chaos around Far Beyond Driven?

There is an unmatched, chaotic energy in band photography from the late 70s, right before massive stadium tours smoothed out the rough edges. Looking at AC/DC between 1976 and 1979 is the perfect example—they don’t look like global rock gods yet, just a gang of guys who plugged into a wall and turned it all the way up. We need to get better at archiving this specific era of photography on the wiki. The unpolished, cramped-stage, cigarette-smoke-in-the-lens shots are pure history. The stadium years are documented to death, but the club days are where the actual story is. Who has the best pre-1980 band photos? Drop your favorite unpolished shots of legendary bands before they blew up.

Before getting hired by Circus magazine, Mark Weiss was just a high school kid stuffing a camera under a baggy sweatshirt and paying the Madison Square Garden door guy three bucks to sneak in. He was literally selling 8x10s out of his locker before landing a gig shooting Van Halen at the Asbury Park Convention Hall on August 11, 1979. He eventually became their go-to guy. By the 1982 Hide Your Sheep tour in Chicago, David Lee Roth was calling Weiss's hotel room to demand he come take photos of him climbing a tree to rescue a stuck kite. It makes you wonder how much incredible, unauthorized rock history is still sitting in some guy's attic because he snuck a camera into a legendary gig. Who are the modern-day rogue photographers doing this right now at your local venues? Drop their names, I want to dig through their archives.

Liverpool's 1960 pop-rock quartet The Beatles face off against Colorado Springs' pop-rock group OneRepublic. Both groups bring their distinct sounds and lineups to this week's matchup. Make your voice heard and cast your vote before voting closes! Cast your vote on the contest page, then make your case here — why does your pick take it?

British-American rock band Fleetwood Mac emerged from the London blues scene in 1967, while Australian band AC/DC arrived in 1973 with brothers Malcolm and Angus Young. Both bands share a blues rock foundation. Cast your vote for your favorite before voting closes! Cast your vote on the contest page, then make your case here — why does your pick take it?

We always talk about The Cure like they arrived fully formed as these untouchable goth pioneers, but looking back at their actual early years, it’s a miracle they survived at all. Their first label was a German disco imprint that dropped them because the music was too depressing. Then there’s the time they got kicked off a Generation X tour because Lol Tolhurst stumbled into a backstage bathroom and accidentally peed on Billy Idol. Even when they hit their creative stride recording 'Pornography', they were basically living in a literal mountain of empty lager cans and sleeping on the floor of the record label office. And let's not forget Robert Smith's dad making him go back on tour after he quit during a fistfight with Simon Gallup in Strasbourg. It makes their massive stadium success later on feel even more insane. What’s your favorite unhinged story from a band’s early days? Is there any group that had a messier come-up than early Robert Smith and co?

They’ve been working on this Travis Barker documentary for 10 years. *Louder Than Fear* covers the whole timeline—from being a trash collector in Laguna Beach, to filling in for Scott Raynor, to surviving that horrific plane crash. We all know he’s the machine behind Blink-182 and The Transplants, but getting a raw look at his recovery and how he got back on the kit is going to be heavy. It hits Disney+ in August. In honor of the doc dropping, let's settle this: what is the absolute best Travis Barker drum track? Is it something off *Enema of the State*, a Transplants deep cut, or a Box Car Racer track? Drop your picks below.

There's a lot of footage floating around of Bad Omens playing the Canal Club in Richmond on an early Sumerian tour. It’s wild to watch now. No massive LED walls, no insane production budget—just the band crammed onto a tiny stage, sweating it out in a packed 300-cap room. Obviously, their current arena shows are visually stunning and they've earned every bit of that success. But watching these old club sets makes you realize how much the dynamic shifts when a band blows up. The raw, unpolished intensity of a tiny room and the direct connection with the barricade is impossible to replicate in a 10,000-seat venue. Do you think the massive production of their current era makes up for the loss of that intimate club energy, or is the Canal Club era the definitive live Bad Omens experience? What’s the smallest room you’ve ever seen them in?

Deftones are back on stage over the next couple of months with two appearances lined up. First, they hit Fort Worth for Sick New World Texas on October 24, 2026. Two weeks later, on November 7, 2026, the band heads to San Diego to headline Dia De Los Deftones. While we wait for those dates, Chino Moreno popped up on tracks with Beabadoobee in September 2026, and Stephen Carpenter's Sol Invicto project dropped a new track titled "Galactic Glitch" on September 20, 2026. Still, nothing beats hearing the band pull from a catalog running from Adrenaline all the way through private music in a live setting. Are you catching them in Fort Worth or San Diego this fall?

Everyone talks about the massive 90s comeback or the Armageddon soundtrack, but early 70s Aerosmith out of Boston was entirely different. They were gritty, unpolished, and arguably the most dangerous rock band in America at the time. Look at any live shot from the 'Toys in the Attic' or 'Rocks' era—it's pure chaos. Are we in agreement that 1975-1976 was their absolute creative peak, or does someone want to make a serious argument for the late 80s 'Pump' era?

From his days as an embalmer in Bakersfield to defining a whole new era of heavy music, Jonathan Davis has lived about ten lives. He took all the bullying, his goth/new wave influences, and the literal darkness of working in a coroner's office, and turned it into the blueprint for Korn. Looking at the year-over-year changes, his eras are so distinct. You’ve got the early raw tracksuits and bagpipes, the Untouchables-era refinement, the HR Giger mic stand debut, all the way up to his current sober, elder-statesman-of-metal vibe.