

They’ve been working on this Travis Barker documentary for 10 years. *Louder Than Fear* covers the whole timeline—from being a trash collector in Laguna Beach, to filling in for Scott Raynor, to surviving that horrific plane crash. We all know he’s the machine behind Blink-182 and The Transplants, but getting a raw look at his recovery and how he got back on the kit is going to be heavy. It hits Disney+ in August. In honor of the doc dropping, let's settle this: what is the absolute best Travis Barker drum track? Is it something off *Enema of the State*, a Transplants deep cut, or a Box Car Racer track? Drop your picks below.
For anyone who doesn't know the story: Acid Bath formed in Houma, Louisiana in 1991. They released two albums — "When the Kite String Pops" (1994) and "Paegan Terrorism Tactics" (1996) — that are considered two of the greatest sludge metal albums ever made. Then in 1997, bassist Audie Pitre was killed by a drunk driver, and the band called it quits. For 28 years, fans thought they'd never play again. The reunion was originally supposed to happen at the cancelled SNW 2025. Now it's finally happening. If you've never listened to Acid Bath, go listen to "Scream of the Butterfly" or "Bleed Me an Ocean" right now. You'll understand why people are flying across the country for this one set. Are you as hyped for this reunion as I am? What song do you need to hear live?
Before getting hired by Circus magazine, Mark Weiss was just a high school kid stuffing a camera under a baggy sweatshirt and paying the Madison Square Garden door guy three bucks to sneak in. He was literally selling 8x10s out of his locker before landing a gig shooting Van Halen at the Asbury Park Convention Hall on August 11, 1979. He eventually became their go-to guy. By the 1982 Hide Your Sheep tour in Chicago, David Lee Roth was calling Weiss's hotel room to demand he come take photos of him climbing a tree to rescue a stuck kite. It makes you wonder how much incredible, unauthorized rock history is still sitting in some guy's attic because he snuck a camera into a legendary gig. Who are the modern-day rogue photographers doing this right now at your local venues? Drop their names, I want to dig through their archives.
It is time to pick your favorite in this alternative rock matchup between Green Day and System of a Down. Both California bands bring distinct sounds, from late 80s Bay Area punk to 90s Glendale heavy metal. Cast your vote now before voting closes! Cast your vote on the contest page, then make your case here — why does your pick take it?
We always talk about The Cure like they arrived fully formed as these untouchable goth pioneers, but looking back at their actual early years, it’s a miracle they survived at all. Their first label was a German disco imprint that dropped them because the music was too depressing. Then there’s the time they got kicked off a Generation X tour because Lol Tolhurst stumbled into a backstage bathroom and accidentally peed on Billy Idol. Even when they hit their creative stride recording 'Pornography', they were basically living in a literal mountain of empty lager cans and sleeping on the floor of the record label office. And let's not forget Robert Smith's dad making him go back on tour after he quit during a fistfight with Simon Gallup in Strasbourg. It makes their massive stadium success later on feel even more insane. What’s your favorite unhinged story from a band’s early days? Is there any group that had a messier come-up than early Robert Smith and co?
Think about the best local band you saw in high school. Did you think they were going to be the next Beatles? Lookout Records founder Larry Livermore did. In 1988, he watched Billie Joe and Mike play to exactly five kids in an off-the-grid cabin in Mendocino County. They were 16. It was their third show ever. Livermore decided right then to make a record with them. He eventually walked away from Lookout because the music business got too corporate—treating artists "like soap powder"—but not before launching the biggest punk band on the planet. Decades later, they looked him in the eye from the Rock and Roll Hall of Fame stage and thanked him. What’s the smallest crowd you’ve ever seen a massive band play to before they blew up? Let's hear your best "I saw them when" stories.
Everyone talks about the massive 90s comeback or the Armageddon soundtrack, but early 70s Aerosmith out of Boston was entirely different. They were gritty, unpolished, and arguably the most dangerous rock band in America at the time. Look at any live shot from the 'Toys in the Attic' or 'Rocks' era—it's pure chaos. Are we in agreement that 1975-1976 was their absolute creative peak, or does someone want to make a serious argument for the late 80s 'Pump' era?
Is it worth going?
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It's Ohio vs Los Angeles in this week's alternative rock battle! Will you choose the duo of Tyler Joseph and Josh Dun, or the quartet of Anthony Kiedis, Flea, Chad Smith, and John Frusciante? Cast your vote before voting closes to decide the winner! Cast your vote on the contest page, then make your case here — why does your pick take it?
19 days out. Let's see how far people are traveling for this. Drop your: *City you're coming from *How many times have you been to SNW (0 = first timer!) *Your #1 must-see act I'll start: Seattle, 0, KORN
After the 2025 cancellation and the whole $400+ ticket price controversy, Sick New World is back for 2026. System of a Down headlining again (they've headlined every single edition), Korn co-headlining, and a lineup that's arguably the best they've ever put together. Are you buying in? Did you get burned by the 2025 cancellation, and you're sitting this one out? Or is this lineup too stacked to miss? Drop your take below.
People are asking the documentary, here the YouTube link
There's a lot of footage floating around of Bad Omens playing the Canal Club in Richmond on an early Sumerian tour. It’s wild to watch now. No massive LED walls, no insane production budget—just the band crammed onto a tiny stage, sweating it out in a packed 300-cap room. Obviously, their current arena shows are visually stunning and they've earned every bit of that success. But watching these old club sets makes you realize how much the dynamic shifts when a band blows up. The raw, unpolished intensity of a tiny room and the direct connection with the barricade is impossible to replicate in a 10,000-seat venue. Do you think the massive production of their current era makes up for the loss of that intimate club energy, or is the Canal Club era the definitive live Bad Omens experience? What’s the smallest room you’ve ever seen them in?