Special collaborations with Soundgarden Matt Cameron

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There's a lot of footage floating around of Bad Omens playing the Canal Club in Richmond on an early Sumerian tour. It’s wild to watch now. No massive LED walls, no insane production budget—just the band crammed onto a tiny stage, sweating it out in a packed 300-cap room. Obviously, their current arena shows are visually stunning and they've earned every bit of that success. But watching these old club sets makes you realize how much the dynamic shifts when a band blows up. The raw, unpolished intensity of a tiny room and the direct connection with the barricade is impossible to replicate in a 10,000-seat venue. Do you think the massive production of their current era makes up for the loss of that intimate club energy, or is the Canal Club era the definitive live Bad Omens experience? What’s the smallest room you’ve ever seen them in?

There is an unmatched, chaotic energy in band photography from the late 70s, right before massive stadium tours smoothed out the rough edges. Looking at AC/DC between 1976 and 1979 is the perfect example—they don’t look like global rock gods yet, just a gang of guys who plugged into a wall and turned it all the way up. We need to get better at archiving this specific era of photography on the wiki. The unpolished, cramped-stage, cigarette-smoke-in-the-lens shots are pure history. The stadium years are documented to death, but the club days are where the actual story is. Who has the best pre-1980 band photos? Drop your favorite unpolished shots of legendary bands before they blew up.

We always talk about The Cure like they arrived fully formed as these untouchable goth pioneers, but looking back at their actual early years, it’s a miracle they survived at all. Their first label was a German disco imprint that dropped them because the music was too depressing. Then there’s the time they got kicked off a Generation X tour because Lol Tolhurst stumbled into a backstage bathroom and accidentally peed on Billy Idol. Even when they hit their creative stride recording 'Pornography', they were basically living in a literal mountain of empty lager cans and sleeping on the floor of the record label office. And let's not forget Robert Smith's dad making him go back on tour after he quit during a fistfight with Simon Gallup in Strasbourg. It makes their massive stadium success later on feel even more insane. What’s your favorite unhinged story from a band’s early days? Is there any group that had a messier come-up than early Robert Smith and co?

British-American rock band Fleetwood Mac emerged from the London blues scene in 1967, while Australian band AC/DC arrived in 1973 with brothers Malcolm and Angus Young. Both bands share a blues rock foundation. Cast your vote for your favorite before voting closes! Cast your vote on the contest page, then make your case here — why does your pick take it?

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There is something incredibly wholesome about seeing one of metal’s most intense frontmen geeking out in the crowd just like a regular fan. It’s that exact energy we love tracking.

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Everyone talks about the massive 90s comeback or the Armageddon soundtrack, but early 70s Aerosmith out of Boston was entirely different. They were gritty, unpolished, and arguably the most dangerous rock band in America at the time. Look at any live shot from the 'Toys in the Attic' or 'Rocks' era—it's pure chaos. Are we in agreement that 1975-1976 was their absolute creative peak, or does someone want to make a serious argument for the late 80s 'Pump' era?

Liverpool's 1960 pop-rock quartet The Beatles face off against Colorado Springs' pop-rock group OneRepublic. Both groups bring their distinct sounds and lineups to this week's matchup. Make your voice heard and cast your vote before voting closes! Cast your vote on the contest page, then make your case here — why does your pick take it?

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Think about the best local band you saw in high school. Did you think they were going to be the next Beatles? Lookout Records founder Larry Livermore did. In 1988, he watched Billie Joe and Mike play to exactly five kids in an off-the-grid cabin in Mendocino County. They were 16. It was their third show ever. Livermore decided right then to make a record with them. He eventually walked away from Lookout because the music business got too corporate—treating artists "like soap powder"—but not before launching the biggest punk band on the planet. Decades later, they looked him in the eye from the Rock and Roll Hall of Fame stage and thanked him. What’s the smallest crowd you’ve ever seen a massive band play to before they blew up? Let's hear your best "I saw them when" stories.