

獨立搖滾起源於地下音樂圈,以其原始、通常帶有低傳真(lo-fi)色彩的音色,抗衡著主流趨勢。它以 DIY 精神和多元的樂器編制為特色,涵蓋了從清脆鏗鏘的流行樂(jangly pop)到實驗噪音等廣泛風格。在歌詞創作上,獨立搖滾經常探討疏離感、身分認同與社會批判等主題,深深引起了那些渴望在商業主流之外尋求不同聲音的聽眾的共鳴。
沒有列出特定的歌詞主題。
Indie rock originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. The term originally described rock music released through independent record labels and drew on uk diy music (for example the buzzcocks, desperate bicycles and television personalities) and the new zealand dunedin sound (for example the chills, tall dwarfs, the clean and the verlaines), alongside college radio jangle pop acts such as the smiths and r.e.m. The genre solidified during the mid-1980s with the nme's c86 cassette and the underground success of bands like sonic youth, dinosaur jr. and unrest.
By the 1990s many indie rock bands released albums on major labels and the term came to refer more to a musical style than solely to independent distribution. Subgenres and regional scenes developed, including slowcore, midwest emo, slacker rock and space rock, while local variants such as baggy, grebo and shoegaze emerged. During the 1990s the mainstream success of grunge and britpop brought greater attention to indie rock and led to a split between acts that conformed to mainstream radio and those that became increasingly experimental.
Indie rock has been linked more by an ethos than a single musical approach, encompassing a wide range of styles from hard edged grunge influenced bands to do it yourself experimental groups and punk folk singers. The 2000s saw a mainstream reentry through the garage rock and post punk revival led by bands like the strokes, the white stripes and the libertines, followed by acts such as bloc party, arctic monkeys and the killers, and the further proliferation of the genre into blog era and related movements.




















