Whitechapel: A Knoxville Deathcore Juggernaut

Hailing from the heart of Tennessee, Whitechapel is a force to be reckoned with in the deathcore scene. Their name, inspired by the infamous London district where Jack the Ripper stalked his victims, sets the stage for their dark and brutal sound. This six-piece powerhouse features Phil Bozeman's ferocious vocals, the shredding guitars of Ben Savage, Alex Wade, and Zach Householder, Gabe Crisp's thunderous bass, and the driving rhythm section led by drummer Brandon Zackey.

Formed in 2006, Whitechapel has solidified their place in the metal world with eight studio albums and a legion of dedicated fans. Their music, a raw and visceral blend of deathcore and brutal death metal, has resonated with audiences worldwide.

The band's 2010 album "A New Era of Corruption" broke through, selling over 10,600 copies in its first week and landing at No. 43 on the Billboard 200 chart. Their self-titled fourth album, released in 2012, followed suit, reaching No. 47 and selling roughly 9,200 copies in its debut week.

2014 saw the release of their fifth album, "Our Endless War," which garnered positive reviews and sold approximately 16,000 copies in its first week. This Knoxville-born band continues to dominate the metal scene, with a sound that is both terrifying and captivating, leaving audiences breathless with every performance.

Hailing from central Massachusetts, Wind Walkers blend the intensity of post-hardcore and alternative metal with the accessibility of pop, creating a unique sound within the modern metal landscape.

Within Temptation, the Dutch symphonic metal titans, emerged from the ashes of April 1996, forged by vocalist Sharon den Adel and guitarist Robert Westerholt. While often categorized as gothic and symphonic metal, their sound defies easy genre classification, showcasing a remarkable versatility and experimental spirit across their discography. Den Adel herself has described their music as atmospheric melodic symphonic metal/rock, acknowledging gothic elements while rejecting a purely gothic label.

Their 1997 debut, Enter, initially established them within the Dutch underground. However, it was their 2001 single "Ice Queen" from Mother Earth that catapulted them into the mainstream, reaching #2 on the Dutch charts. This success marked the beginning of their phenomenal run, culminating in an unprecedented five Conamus Exportprijs awards (four consecutive wins, and a fifth in 2016), solidifying their status as Dutch music royalty.