The Jam, a hugely influential English rock band, exploded onto the scene in 1972, birthed in the Surrey town of Woking. The power trio—Paul Weller, Bruce Foxton, and Rick Buckler—dominated the UK charts, achieving an unprecedented run of 18 consecutive Top 40 singles from their 1977 debut until their split in December 1982. This phenomenal streak included four number one hits. Their impact remains undeniable: as of 2007, "Thats Entertainment" and "Just Who Is the 5 OClock Hero" held the record for best-selling imported singles in UK history. Their discography boasted six studio albums (including the number one hit The Gift) and one electrifying live album. Even after their breakup, the band`s enduring popularity saw their first fifteen singles re-enter the charts, all landing within the Top 100.

The Jams sound was a potent blend of influences, seamlessly weaving together 1960s beat music, soul, R&B, and the raw energy of 70s punk and new wave. Their melodic pop sensibility, sharp social commentary uniquely filtered through a distinctly English lens, and their iconic mod image created a captivating and enduring appeal. The band became a launchpad for Paul Weller, whose songwriting and lead guitar (typically on a Rickenbacker 330) drove much of their creative force. He would later achieve further success with The Style Council and a celebrated solo career. Bruce Foxton’s powerful basslines provided the rhythmic bedrock for many of their hits, including classics like "Down in the Tube Station at Midnight," "The Eton Rifles," "Going Underground," and "Town Called Malice."

History

Formation (1972–1976)

The Jams genesis can be traced back to Sheerwater Secondary School in Woking, Surrey, where the band formed in 1972.

Agnostic Front, a seminal New York City hardcore punk band, exploded onto the scene in 1980. Their influence on the NYC hardcore scene and pioneering role in crossover thrash is undeniable.

Early Years (1980-1992): A Story of Line-Up Shifts and Hardcore Fury

The original lineup, formed in 1980, featured Vinnie Stigma (lead guitar, formerly of the Eliminators), Diego (bass), Rob Krekus (drums, aka Robby Crypt Crash), and John Watson (vocals). Initially billed as Zoo Crew at their first show, a last-minute name change, courtesy of Stigma, solidified them as Agnostic Front. Early instability saw Raybeez (Ray Barbieri) taking over on drums and Adam Mucci joining on bass. Following Watsons arrest and the departure of James Kontra (who clashed with Capuccio over sticker distribution), a pivotal moment arrived. Stigma, impressed by Roger Mirets (ex-Psychos) slam dancing style, recruited him as vocalist without prior contact.

This lineup, solidified in 1983, unleashed their debut EP, United Blood. However, even before the official release, bassist Mucci exited, replaced by Todd Youth. Crucially, this early Agnostic Front was entirely composed of skinheads, a significant aspect of their identity and the burgeoning hardcore scene.

Johnny Thunders and Jerry Nolan, fresh off their tumultuous tenure with the New York Dolls, ignited the New York City punk scene in 1975 with the formation of the Heartbreakers. Often dubbed "Johnny Thunders` Heartbreakers," this seminal band spearheaded the first wave of punk rock, leaving an indelible mark on music history.

Their story begins with the Dolls implosion amidst creative tensions and poor sales. Thunders and Nolan, departing mid-Florida tour in March 1975, found themselves unexpectedly aligned with Richard Hell, whod just bailed on Television, citing its increasing pretentiousness. Hells desire for a raw, compelling rock & roll band perfectly complemented Thunders and Nolans vision.

The trio, christened the Heartbreakers, debuted at Queens Coventry club on May 30th, 1975 (note: a different band, Tom Pettys Heartbreakers, wouldnt start gigging until the following year). Adding guitarist Walter Lure (formerly of the glam-punk Demons) in July at CBGBs completed their explosive lineup.

The Heartbreakers rapidly ascended to underground New York royalty, commanding sold-out shows at iconic venues like CBGB, Mothers (across from the Chelsea Hotel), and Maxs Kansas City. Their raw energy and uncompromising sound cemented their place as pioneers of a genre that would soon take the world by storm.

Wire, the seminal British art-punk and post-punk band, exploded onto the London scene in October 1976. The original lineup—Colin Newman (vocals, guitar), Graham Lewis (bass, vocals), Bruce Gilbert (guitar), George Gill (guitar), and Robert Grey (drums)—quickly became associated with the punk rock movement, notably appearing on the The Roxy London WC2 compilation album. Their debut, Pink Flag (1977), a landmark achievement often cited as one of the most original punk debuts, defied categorization, blending minimalist punk with unconventional song structures. Tracks like the 28-second "Field Day for the Sundays" showcased their experimental approach. Though initially heavily influenced by Gills songwriting, the bands trajectory shifted after Gills injury in February 1977, leading to a departure from much of his material (though many early Gill compositions later surfaced on demos and compilations). *Pink Flag*s influence on hardcore punk was undeniable.

Wire`s evolution continued, moving beyond their early noise-rock sound. Albums like Chairs Missing (1978) and 154 (1979) showcased a more complex and structured sound, incorporating extensive guitar effects and synthesizers. This experimentation with song arrangements and sonic textures became a hallmark of their career, solidifying their status as highly influential innovators within the art-punk and post-punk genres, known for their richly detailed, atmospheric soundscapes and enigmatic lyrical themes.

The Undertones, Derry, Northern Irelands most successful band, exploded onto the scene in 1974. For their formative years (1975-1983), the classic lineup featured Feargal Sharkey (vocals), John ONeill (rhythm guitar, vocals), Damian O`Neill (lead guitar, vocals), Michael Bradley (bass, vocals), and Billy Doherty (drums). Their early sound was a potent blend of punk and new wave, evolving after 1979 to incorporate elements of rock, glam rock, and post-punk. By their final album, soul and Motown had become a significant influence. Between 1978 and 1983, the band released thirteen singles and four studio albums, a prolific output that ended abruptly in May 1983 when Sharkey departed, citing musical differences.

Despite the turbulent backdrop of the Troubles, the Undertones largely steered clear of overtly political themes, focusing instead on the universal experiences of adolescence, teenage angst, and heartbreak. As AllMusic noted, the ONeill brothers "infectious guitar hooks," combined with Sharkey`s distinctive vocal style, created a unique sound drawing from 1960s garage rock and 70s glam.

The band reformed in 1999 with Paul McLoone replacing Sharkey on vocals, cementing their legacy as not only Derrys most successful export, but also one of Northern Irelands most enduring musical achievements.

Formation and Early Gigs:

The Undertones, formed in 1974, were five friends from Creggan and the Bogside. Initially inspired by acts like the Beatles, Small Faces, and Lindisfarne, their formation was partly fueled by a shared love of music and the closure of many Derry venues during the Troubles, limiting late-night entertainment options. Early rehearsals involved covering songs in the ONeill brothers (John and Vincent) home and a neighbor`s shed.

Twisted Sister, the New Jersey-born (Ho-Ho-Kus, to be precise), Long Island-based hard rock band, exploded onto the scene in 1972. While initially categorized as glam metal—a label frontman Dee Snider vehemently disputes—their image was undeniably flamboyant, characterized by outrageous hairstyles, androgynous clothing, and theatrical makeup. This visual spectacle perfectly complemented their high-energy live shows.

Their legacy rests on anthemic tracks like "Were Not Gonna Take It" and "I Wanna Rock," both immortalized in memorably slapstick music videos. The bands evolution from their earlier incarnation, Silver Star, involved several lineup changes before solidifying in 1982 with the iconic quintet of Jay Jay French (guitars), Eddie "Fingers" Ojeda (guitars), Dee Snider (vocals), Mark "The Animal" Mendoza (bass), and A.J. Pero (drums). This lineup powered their first four albums.

While Under the Blade (1982) and *You Cant Stop Rock n Roll* (1983) garnered critical acclaim and built a strong underground following, it was their third album, *Stay Hungry* (1984), that catapulted them to mainstream success. The albums title track, "Were Not Gonna Take It," became their only Top 40 hit on the Billboard Hot 100. Although subsequent releases, *Come Out and Play* (1985) and *Love Is for Suckers* (1987), didnt replicate Stay Hungrys phenomenal success, Twisted Sisters impact remained undeniable. The band disbanded in 1988 but reunited in the late 1990s, before a more permanent reformation in 2003, releasing Still Hungry (a re-recording of Stay Hungry) in 2004 and a Christmas album, A Twisted Christmas, in 2006.

Behemoth, the Gdansk-based blackened death metal titans, emerged from the Polish underground in 1991. Their influence on the nation`s extreme metal scene is undeniable.

Early Years and the First Five Albums (1991-2000):

The bands initial lineup—Nergal (vocals/guitar), Baal (drums), and Desecrator (rhythm guitar)—laid the groundwork with demos like *Endless Damnation* and *The Return of the Northern Moon*. However, it was their fourth demo, *From the Pagan Vastlands* (1994), that truly ignited their career. Released by Pagan Records (Poland) and later Wild Rags, this tape signaled Behemoths arrival. Sventevith (Storming Near the Baltic) followed in 1995, paving the way for their 1996 sophomore album, Grom. Grom showcased the band`s expanding musical scope, incorporating diverse elements like female vocals, acoustic guitars, and synthesizers. This period also saw Behemoth solidify their live presence, playing extensively throughout Poland and embarking on their first European tours.

Sleep Token, the enigmatic London-based alternative metal band, emerged onto the scene in 2016 shrouded in mystery, their members` identities concealed behind masks. Their journey began with the self-released debut EP, One, quickly followed by Two in 2017 after signing with Basick Records. This early success propelled them to Spinefarm Records, where they unleashed their critically acclaimed debut full-length album, Sundowning, in 2019. The band continued their ascent with the release of their second album, This Place Will Become Your Tomb, in 2021, solidifying their position as a force to be reckoned with in the alternative metal world. Take Me Back to Eden, their third studio album, dropped in May 2023, showcasing their evolution and continued creative drive. Already looking ahead, Sleep Token have announced a fourth album, Even in Arcadia, slated for release in May 2025 via RCA Records.

Early Days (2016-2019):

The bands debut single, "Thread the Needle," premiered in September 2016, setting the stage for the release of their *One* EP in December of the same year. This initial release included bonus piano arrangements, showcasing a depth beyond their signature heavy sound. Further showcasing their range, Sleep Token covered OutKasts "Hey Ya!" in February 2017, before signing with Basick Records and releasing Two that July.

Death, the pioneering American death metal band, emerged from Altamonte Springs, Florida in 1983. Forged by guitarist Chuck Schuldiner (who would become the band`s iconic vocalist), drummer/vocalist Kam Lee, and guitarist Rick Rozz, they were instrumental in shaping the Florida death metal scene. Their seminal 1987 debut, Scream Bloody Gore, is widely considered a foundational death metal album, alongside early works from Possessed and Necrophagia.

Deaths lineup was notoriously fluid, with Schuldiner the only consistent member (excepting a European tour). Their sound evolved significantly, transitioning from the raw, visceral assault of their initial releases to a more complex and sophisticated style in later years. The bands legacy was tragically cut short by Schuldiner`s death from glioma and pneumonia in December 2001, but their influence on heavy metal remains undeniable.

Early Days (1983-1985):

Initially formed as Mantas in either 1983 or 1984 by Schuldiner, Death quickly gained recognition as a key player in the burgeoning death metal landscape, alongside Californias Possessed. Influenced by bands like Nasty Savage, Death was among the first wave of the Florida death metal scene. Early rehearsal tapes, including the pivotal *Death by Metal* demo, circulated extensively within the underground tape-trading network, rapidly establishing the bands reputation and solidifying their place in metal history.

Deftones, the Sacramento, California quintet formed in 1988, are pioneers of alternative metal. Founded by Chino Moreno (vocals), Stephen Carpenter (guitar), and Abe Cunningham (drums), the lineup solidified in 1993 with the addition of Chi Cheng (bass) and, later in 1999, Frank Delgado (keyboards/turntable). Their experimental sound, often compared to a "Radiohead of metal," has consistently defied easy categorization.

Signed to Maverick Records, their 1995 debut Adrenaline built a devoted fanbase through relentless touring and word-of-mouth. The follow-up, 1997`s Around the Fur, catapulted them into the alternative metal stratosphere, achieving chart success and earning the band their first RIAA certification.

White Pony (2000) marked a pivotal shift, showcasing a more experimental, nuanced sound while maintaining their raw power. The albums lead single, "Change (In the House of Flies)," became their biggest commercial hit, and "Elite" garnered a Grammy Award for Best Metal Performance. *White Pony* achieved platinum status in the US, the first of three Deftones albums to reach this milestone. Their self-titled fourth album, released in 2003, continued to garner critical acclaim, though commercial success didnt quite match the heights of White Pony. Despite this, Deftones` enduring influence on the genre remains undeniable.

Hailing from Fullerton, California, The Adolescents exploded onto the Southern California hardcore punk scene in 1979. Alongside contemporaries like Agent Orange and Social Distortion, they became a cornerstone of the Orange County punk rock sound. Bassist Steve Soto remained the band`s only constant member from their inception until his death in 2018, a testament to his unwavering commitment. Singer Tony Reflex, present on all but one album, was another crucial anchor.

The 1980s were a whirlwind of lineup changes, breakups, and reunions, largely revolving around drummer Casey Royer and the Agnew brothers (Rikk, Frank, and Alfie) on guitar. This tumultuous period yielded three albums: Adolescents (1981), Brats in Battalions (1987), and Balboa FunZone* (1988, without Reflex), before their April 1989 demise.

While members pursued other projects, a reunion of core members in 2001 ignited a remarkable resurgence. OC Confidential (2005) marked their triumphant return, with Soto and Reflex as the creative heart, writing and leading the band through five more studio albums: The Fastest Kid Alive (2011), Presumed Insolent (2013), La Vendetta… (2014), Manifest Density (2016), and Cropduster (2018).

Sotos passing on June 27, 2018, at the age of 54, left Reflex as the sole original member. However, the band persevered, welcoming Brad Logan as Sotos replacement and releasing their tenth album, Russian Spider Dump, in October 2020, continuing their legacy as a powerful force in punk rock history.

The Cramps, progenitors of psychobilly and purveyors of sleazy, high-octane rockabilly-punk, stormed onto the scene in 1976 and remained a potent force until 2009. The bands core—and only constant members—were the iconic husband-and-wife team of Lux Interior (Erick Lee Purkhiser) and Poison Ivy (Kristy Marlana Wallace). Their initial lineup solidified in April 1976 with the additions of guitarist Bryan Gregory and drummer Pam Balam. While their membership fluctuated wildly over the years, the duos singular vision remained consistent.

Their debut album, Songs the Lord Taught Us, dropped in 1980, marking the beginning of a prolific career. Interior and Wallace, who met in Sacramento in 1972, bonded over a shared passion for record collecting and a darkly comedic aesthetic. Interiors stage name came from a car ad, while Ivys (initially Poison Ivy Rorschach, a nod to the famous test) arrived in a dream. After relocating from Akron, Ohio, to New York City in 1975, they quickly immersed themselves in the burgeoning CBGBs scene, sharing bills with punk luminaries like the Ramones, Talking Heads, Blondie, Patti Smith, Television, Suicide, Mink DeVille, and fellow Ohio transplants, the Dead Boys. The bands legendary run ultimately ended with Lux Interior`s passing in 2009.