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Band Timeline

1976

Formation of Wire in London

Wire was formed in October 1976 in London by Colin Newman, Graham Lewis, Bruce Gilbert, George Gill, and Robert Grey. Initially associated with the punk rock scene, their early work had a minimalist punk style. George Gill was the main songwriter but left early on due to injury, leading the band to drop many of his songs.
1977

Release of Debut Album Pink Flag

Wire released their debut album Pink Flag in 1977. It was considered one of the most original debut albums from the first wave of British punk. The album featured diverse moods and styles with minimalist punk approach and unorthodox structures, including extremely short tracks like 'Field Day for the Sundays' that lasted only 28 seconds, setting a unique precedent in punk music.
1978

Release of Second Album Chairs Missing with Experimental Style

In 1978, Wire released their second album Chairs Missing, which marked a departure from the stark minimalism of their debut. The album featured more atmospheric, longer songs with synthesizer parts added by producer Mike Thorne. The single 'Outdoor Miner' reached number 51 in the UK singles chart, showcasing the band's expanding sound and experimental approach.
1979

Release of 154 and Issues with Record Label EMI

Wire's third album, 154, was released in 1979 and displayed further experimental tendencies. However, their unique ideas to promote the album, such as performing in theaters and unconventional videos, led to conflicts with their label EMI. EMI staff changes and disagreements caused the band to lose record support, straining the band's position and finances.
1981

Document and Eyewitness Live Album and Band Split

In 1981, Wire released Document and Eyewitness, a live album featuring mostly new material that was met with mixed reviews, often described as disjointed and experimental. This period marked increasing creative differences within the band, resulting in their split. Members pursued solo and side projects, including Colin Newman's solo work and collaborations by other members throughout the early 1980s.
1985

Reunion and Shift to Electronic Sound

Wire reunited in 1985, jokingly calling themselves a 'beat combo' with a focus on electronic instruments. The band announced they would avoid performing older material and instead concentrate on new songs. They hired a cover band, Ex-Lion Tamers, to open for them on their 1987 U.S. tour, where Ex-Lion Tamers played Wire's older songs while Wire performed new material, illustrating their new direction.
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Members

Current

Name
Begin
Occupation

Matthew Simms

2010

Guitar

Graham Lewis

1976

Bass guitar

Lead vocals

Colin Newman

1976

Guitar

Lead vocals

Robert Gotobed

1999

Drums (drum set)

History

Name
Begin
End
Occupation

Robert Gotobed

1976
1990

Drums (drum set)

Bruce Gilbert

1976
2006

Guitar

Story of Wire

Wire, the seminal British art-punk and post-punk band, exploded onto the London scene in October 1976. The original lineup—Colin Newman (vocals, guitar), Graham Lewis (bass, vocals), Bruce Gilbert (guitar), George Gill (guitar), and Robert Grey (drums)—quickly became associated with the punk rock movement, notably appearing on the The Roxy London WC2 compilation album. Their debut, Pink Flag (1977), a landmark achievement often cited as one of the most original punk debuts, defied categorization, blending minimalist punk with unconventional song structures. Tracks like the 28-second "Field Day for the Sundays" showcased their experimental approach. Though initially heavily influenced by Gills songwriting, the bands trajectory shifted after Gills injury in February 1977, leading to a departure from much of his material (though many early Gill compositions later surfaced on demos and compilations). *Pink Flag*s influence on hardcore punk was undeniable.

Wire`s evolution continued, moving beyond their early noise-rock sound. Albums like Chairs Missing (1978) and 154 (1979) showcased a more complex and structured sound, incorporating extensive guitar effects and synthesizers. This experimentation with song arrangements and sonic textures became a hallmark of their career, solidifying their status as highly influential innovators within the art-punk and post-punk genres, known for their richly detailed, atmospheric soundscapes and enigmatic lyrical themes.

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