

Industrial metal fuses the aggression of heavy metal with the abrasive soundscapes of industrial music. Expect distorted guitars, pounding rhythms, and often incorporates samples of machinery and noise. The result is a dark, intense, and often experimental sonic landscape.
No specific lyrical themes listed.
Industrial metal is the fusion of heavy metal and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Industrial metal developed in the late 1980s, as industrial and metal began to fuse into a common genre. Though electric guitars had been used by industrial artists since the early days of the genre, archetypal industrial groups such as Throbbing Gristle displayed a strong anti-rock stance. British post-punk band Killing Joke pioneered the crossing over between styles and was an influence on major acts associated with industrial metal such as Ministry, Godflesh, and Nine Inch Nails.
By the late 1980s industrial and heavy metal began to fuse into a common genre, with Godflesh's self-titled EP and Ministry's The Land of Rape and Honey at the forefront. Ministry emerged from the scene surrounding Wax Trax! Records, a Chicago indie label dedicated to industrial music. Ministry's initial foray into guitar rock happened during a recording session of The Land of Rape and Honey on Southern Studios, in London. German band KMFDM was another seminal industrial metal group. A Swiss trio, The Young Gods, brushed with the style on their second album, L'Eau Rouge (1989).
Industrial metal did well in the early 1990s, particularly in North America, with the success of groups such as Nine Inch Nails, but its popularity began to fade in the latter half of the 1990s. Though not a top seller, Godflesh nonetheless became an influential act, their name mentioned by Korn, Metallica, Danzig, Faith No More, and Fear Factory.




















