Post Punk

Formed in Manchester in 1976 by Pete Shelley and Howard Devoto, Buzzcocks are pivotal figures in the punk rock scene. Their sound, a potent blend of punk, power pop, and pop-punk, propelled them to success with a string of singles. These tracks, renowned for their infectious melodies and breakneck energy, culminated in the critically acclaimed compilation Singles Going Steady, which music journalist Ned Raggett hailed as a "punk masterpiece."

Devoto`s departure in 1977 to form Magazine left Shelley as the principal songwriter and frontman. The classic lineup – Shelley, Steve Diggle (guitar), Steve Garvey (bass), and John Maher (drums) – recorded their first three albums before a 1981 breakup stemming from label disputes.

Reuniting in 1989, Buzzcocks released six more albums, featuring key members like Tony Barber (bass) and Phil Barker (drums), before Shelleys death in 2018. The band perseveres, anchored by the enduring Steve Diggle, who now handles lead vocals. Their current lineup, including Danny Farrant (drums), Chris Remington (bass), and touring guitarist Mani Perazzoli, released their tenth studio album, *Sonics in the Soul*, in 2022, demonstrating the bands continued relevance and enduring legacy.

Hailing from Hattiesburg, Mississippi, MS PAINT exploded onto the scene in 2019. This fiercely independent quartet—vocals, drums, synth, and bass—boldly eschews the guitar, a surprising omission in their otherwise raw, energetic sound.

Launched in March 2020 with their debut release, MS PAINT quickly established themselves, collaborating with fellow genre-benders Militarie Gun. Their unique blend of synth-punk has been described as industrial art-punk—a visceral, uncompromising attack on the senses.

Rendez-Vous: Parisian Post-Punk Pioneers

Rendez-Vous, hailing from the vibrant music scene of Paris, France, emerged in 2012 as a force of post-punk energy. The band, formed by the dynamic duo of Francis Mallari and Elliot Bethault, quickly expanded, welcoming Maxime Gendre and Simon Dubourg into the fold.

Their debut EP, aptly titled "Rendez-Vous," dropped in 2014 on Zappruder Records, marking their arrival on the French indie scene. This release fueled their first European tours in the summer of 2015, igniting a passionate following across the continent.

In 2016, Rendez-Vous upped the ante with their "Distance" EP, expertly mixed by Ben Greenberg of The Men and released on their new label, AVANT! Records. Their self-titled single "Distance" resonated with music critics, earning a coveted spot in Les Inrockuptibles magazine's "100 Best Songs of the Year" list.

2017 saw the release of "The Others," a track chosen by Burger Records to represent France on their global compilation, "Burger World." This recognition solidified Rendez-Vous' status as a key player in the international post-punk revival.

The band continued their relentless momentum, releasing "Double Zero" in June 2018, a taste of their debut LP, "Superior State." This LP was a testament to their evolution, showcasing their signature blend of driving rhythms, angular guitar riffs, and darkly poetic lyrics.

Rendez-Vous are more than just a band; they are a movement. With their captivating live performances and innovative sound, they continue to push the boundaries of post-punk, earning a devoted following and solidifying their place as one of the most exciting French bands to emerge in recent years.

Siouxsie and the Banshees (pronounced SOO-zee and the BAN-shees) exploded onto the London music scene in 1976, forged from the raw energy of vocalist Siouxsie Sioux and bassist Steven Severin. More than just a punk band, although initially associated with that movement, they rapidly transcended their origins. The Times aptly described them as "one of the most audacious and uncompromising musical adventurers of the post-punk era," a testament to their daring rhythmic and sonic experimentation. Their initial lineup, completed by guitarist John McKay and drummer Kenny Morris, unleashed The Scream in 1978, a debut album that garnered widespread critical acclaim and established their unique sound – a potent blend of post-punk discord and innovative artistry.

Subsequent lineup changes, notably the arrival of guitarist John McGeoch and drummer Budgie, saw the Banshees evolve their style. They shifted towards a more accessible, yet still intensely creative, sound, becoming a major force in alternative pop throughout the 1980s. Kaleidoscope (1980) reached #5 on the UK Albums Chart, solidifying their rising success. Juju (1981), another Top 10 hit, further cemented their influence, significantly impacting the burgeoning gothic rock scene.

Their breakthrough in North America finally arrived with the multifaceted Peepshow (1988), which earned critical praise. Fueled by the support of alternative rock radio, they achieved a US mainstream hit in 1991 with the pop single "Kiss Them for Me," a fitting culmination of a career defined by relentless innovation and artistic integrity. Siouxsie and the Banshees remain a hugely influential band, leaving an indelible mark on post-punk, alternative, and gothic rock.

The Cure, the iconic English rock band, emerged from Crawley in 1976, founded by the inimitable Robert Smith (vocals, guitar) and Lol Tolhurst (drums). While Smith remains the sole constant member through numerous lineup shifts – including notable stints with Porl Thompson (guitar) and Boris Williams (drums) – the current iteration features Smith alongside Perry Bamonte (guitar), Reeves Gabrels (guitar), Simon Gallup (bass – absent for only a brief six years!), Roger O`Donnell (keyboards), and Jason Cooper (drums).

Their 1979 debut, Three Imaginary Boys, along with early singles, catapulted them to the forefront of the burgeoning post-punk and new wave scenes in the UK. A dramatic shift towards a darker, more tormented sound began with Seventeen Seconds (1980), influencing the nascent gothic rock genre and its burgeoning subculture, a style further amplified by Smith`s distinctive fashion. Pornography (1982), a move towards a more pop-infused sound, propelled them to international acclaim. Commercial zenith arrived with Disintegration (1989) and Wish (1992).

The Cure`s legacy is undeniable: 14 studio albums, two EPs, and over 40 singles have sold over 30 million copies globally. Their 1986 singles compilation, Standing on a Beach, alone shifted 4 million copies by 1989. Their impact on music history was formally recognized with their 2019 induction into the Rock and Roll Hall of Fame.

The Damned, formed in London in 1976, are seminal figures in UK punk rock. The original lineup—Dave Vanian (vocals), Brian James (guitar), Captain Sensible (bass, later guitar), and Rat Scabies (drums)—blasted onto the scene, becoming the first UK punk band to release a single ("New Rose," 1976), a studio album (Damned Damned Damned, 1977), and tour the US. Nine of their singles cracked the UK Top 40.

Following the critically panned Music for Pleasure (1977), the band briefly dissolved, only to quickly reform without James, releasing Machine Gun Etiquette (1979). The 1980s saw a stylistic shift towards gothic rock with four albums: The Black Album (1980), Strawberries (1982), Phantasmagoria (1985), and Anything (1986). Sensible`s departure in 1984 marked a turning point, leaving him absent from the latter two records. A 1988 reunion tour, featuring James and Sensible, culminated in the live album Final Damnation (1989).

Their raw, fast-paced punk sound significantly impacted the development of hardcore punk in both the UK and US during the late 1970s and early 1980s. The Damned continued to reform and tour, with a notable resurgence in 1991.

Vision Video: A Modern Gothic Dirge for the Disillusioned

Hailing from Athens, Georgia, Vision Video is a post-punk goth rock band that breathes fresh life into the classic sounds of the late 70s and 80s. Drawing inspiration from legendary acts like The Chameleons and The Cure, they blend the familiar with a distinctly contemporary edge.

At the heart of their music lies a profound exploration of the human psyche, grappling with the lasting effects of trauma and the quest for stability in a world teetering on the brink of chaos. Lead singer and guitarist Dusty Gannon, a veteran of both the Afghan war and the fire service, brings a raw and visceral understanding of life’s darker corners. “I wanted to create music that acknowledged the validity of feeling lost and broken,” Gannon explains, “but also confronts the darker truths of our flawed humanity.”

Vision Video's first two records, "Inked in Red" and "Haunted Hours," garnered critical acclaim. Pitchfork praised their ability to craft "dreamy tunes tailored for the wallflowers who explode onto the dance floor when the DJ drops 'Age of Consent' or 'Primary' at Goth Night." Both albums were recorded and mixed by Tom Ashton of The March Violets at his renowned Sub Von Studios in Athens, Georgia.

The band is currently preparing to record their third LP, "Modern Horror," at Maze Studios in Atlanta under the guidance of Grammy-winning producer Ben Allen. This next chapter promises to further solidify their position as a leading voice in the modern gothic revival, offering a soundtrack for the disillusioned and the restless.