The Kills, the acclaimed English-American rock duo, are a force to be reckoned with. Fronted by the powerhouse vocals of Alison "VV" Mosshart (USA) and the sharp guitar work of Jamie "Hotel" Hince (UK), theyve carved a significant niche in the alternative rock landscape. Signed to Domino Records, their distinctive sound has propelled them to success, with their first four albums – *Keep on Your Mean Side*, *No Wow*, *Midnight Boom*, and *Blood Pressures* – all charting in the UK. Their fifth studio album, *Ash & Ice*, released in 2016, further solidified their position, reaching the UK Albums Charts top 20.

Before their 2001 formation, Mosshart and Hince each honed their skills in other bands. Mossharts raw energy was previously unleashed in the punk rock outfit Discount, while Hince contributed to acts like Scarfo and Blyth Power. Their collaboration began serendipitously; a chance meeting in London during Discounts UK tour, where Mosshart was staying in an apartment below Hinces, led to an undeniable creative spark. Mossharts persistence paid off, convincing Hince to form a band. He even provided her with a four-track recorder, encouraging her to compose music in addition to lyrics while touring. The exchange of musical ideas, initially through tapes, laid the foundation for the unique sound that defines The Kills.

The Kooks: A Britpop Revival with a Touch of Funk

The Kooks, formed in Brighton, England in 2004, are a pop-rock band known for their energetic blend of Britpop influences and modern sensibilities. Their sound is deeply rooted in the 1960s British Invasion, infused with the post-punk revival that swept the new millennium. But the Kooks aren't content with staying in a single lane. They've experimented with rock, Britpop, pop, reggae, ska, and even funk and hip-hop, creating a vibrant, eclectic sound that's earned them comparisons to bands like Thrills, Sam Roberts Band, and even Arctic Monkeys.

Signed to Virgin Records just three months after forming, The Kooks quickly shot to fame with their debut album, Inside In/Inside Out, in 2006. The album achieved quadruple platinum status in the UK within a year and earned platinum certifications in Australia and Ireland. The band's success caught the attention of mainstream media, winning them the Best UK & Ireland Act award at the 2006 MTV Europe Music Awards and a Brit Award nomination for their single "She Moves in Her Own Way."

Their momentum continued with Konk (2008), which debuted at number one on the UK Albums Chart with first-week sales of 65,000, achieving gold status in both the UK and Ireland. Their third studio album, Junk of the Heart, followed in September 2011, and their fourth album, Listen, was released in September 2014.

The Kooks are a testament to the enduring power of catchy melodies, infectious energy, and a willingness to experiment. Their music continues to resonate with fans around the world, solidifying their place as a leading force in the modern pop-rock scene.

The Lemonheads: From Boston Basements to Chart-Topping Hits

The Lemonheads, a quintessential American alternative rock band, emerged from the vibrant Boston music scene in 1986. Founded by Evan Dando, Ben Deily, and Jesse Peretz, the band has undergone numerous line-up changes throughout its history, with Dando remaining the only constant member.

The band's early days were marked by a raw, punk-influenced sound, building a following in the independent and college rock circuits of the late 1980s. Their breakthrough came in 1992 with the release of "It's a Shame About Ray," a major label album produced by the Robb Brothers (Bruce, Dee, and Joe). This record, with its infectious melodies and Dando's introspective lyrics, propelled the Lemonheads into the mainstream.

The band's popularity soared even further with their iconic cover of Simon & Garfunkel's "Mrs. Robinson," which became one of their biggest hits.

After a successful run, the Lemonheads went on hiatus in 1997. However, they returned in 2005 with a new lineup, releasing the self-titled album "The Lemonheads" the following year. The band's latest album, "Varshons 2," dropped in February 2019.

Over the years, the Lemonheads have collaborated with a diverse roster of musicians, including John Strohm (Blake Babies), Doug Trachten, Corey Loog Brennan, Byron Hoagland (Folks on Fire), Ben Daughtrey (Squirrel Bait), Juliana Hatfield (Blake Babies), Nic Dalton (Godstar, Sneeze, the Plunderers), David Ryan (Fuzzy), Patrick "Murph" Murphy (Dinosaur Jr.), George Berz (Dinosaur Jr., Gobblehoof), Josh Lattanzi, Bill Gibson (The Eastern Dark), Mark 'Budola' Newman, Kenny Lyon, Vess Ruhtenberg, Devon Ashley, Karl Alvarez, Bill Stevenson (Descendents), P. David Hazel, Farley Glavin, and many more.

Early Years (1986-1991)

The Lemonheads' story began in the hallways of the Commonwealth School in Boston, where Evan Dando, Ben Deily, and Jesse Peretz formed the band as teenagers. Initially called "The Whelps," the name was inspired by a brand of candy that Dando described as "sweet on the inside and sour on the outside," a fitting metaphor for their music. The band's early output included the self-released 7-inch EP "Laughing All the Way to the Cleaners."

The Libertines: A Tale of Britpop Rebellion, Addiction, and Resurgence

The Libertines, hailing from the gritty streets of London, burst onto the scene in 1997, driven by the raw energy of frontmen Carl Barat and Pete Doherty. Their music, fueled by a raw, punk-infused energy, quickly made them a focal point of the garage rock revival sweeping the UK.

Barat and Doherty's songwriting partnership was the band's heart, with bassist John Hassall and drummer Gary Powell providing the rhythmic backbone for most of their recording career. Their sound, a blend of buzzsaw guitars, anthemic melodies, and introspective lyrics, resonated with a generation yearning for authenticity in their music.

While their early success was overshadowed by Doherty's well-documented struggles with drug addiction, and the volatile relationship between the two songwriters, the Libertines' profile steadily rose. Their second album, self-titled and released in 2004, cemented their place as a major force in British music. It was a critical darling, hitting the top spot on the UK album charts and even being voted the year's second-best album by NME magazine.

The band's sonic blueprint, produced by Mick Jones, the legendary co-founder of The Clash, solidified their punk-rock pedigree. Despite their commercial and critical triumphs, internal conflicts stemming from Doherty's addiction ultimately led to the band's demise in 2004.

Doherty later claimed that the band's breakup stemmed from personal differences with Barat, not his drug use.

The Libertines, a band marked by both artistic brilliance and self-destructive tendencies, remain a symbol of the raw passion and complex realities of rock'n'roll. Despite their turbulent history, their music continues to resonate with fans, reminding us of the enduring power of a band that, at its core, embodied the spirit of rebellion and unflinching honesty.

The Linda Lindas: A Punk Rock Powerhouse Emerges

The Linda Lindas, hailing from the vibrant music scene of Los Angeles, are an all-female punk rock band making waves with their energetic performances and sharp lyrics. The quartet is comprised of Bela Salazar (guitar), Eloise Wong (bass), and sisters Lucia and Mila de la Garza (drums and vocals, respectively).

Their story began in 2018, inspired by the Japanese film "Linda Linda Linda," a fitting name for a group known for their playful spirit and unapologetic energy. After a chance encounter with director Amy Poehler, they were tapped to record the soundtrack for her film "Moxie," catapulting them into the spotlight.

The year 2021 saw the release of their viral single "Racist, Sexist Boy," a powerful anthem that garnered widespread attention and critical acclaim. This success led to a signing with Epitaph Records, one of the most respected independent labels in the world.

In 2022, the band released their debut album, "Growing Up," to rave reviews. The album showcases their raw talent and maturity, blending elements of punk, pop, and alternative rock. The Linda Lindas are not just a band – they're a movement, proving that punk rock is alive and thriving, with a fresh, feminist perspective at its core.

A Band Formed From a Shared Passion

The band's formation is a testament to the power of shared passion and community. It all started with Eloise Wong, whose father, Martin Wong, was approached to have her perform with a group of aspiring young musicians. Martin suggested his nieces, Lucia and Mila de la Garza, who had been singing and dancing together since childhood.

The group, spearheaded by Kristin Kontrol, started practicing, but it was clear they needed someone who could play an instrument. Eloise's parents reached out to their family friend Bela Salazar, who was learning guitar, and the rest, as they say, is history. The Linda Lindas, a group of friends bonded by music, were officially formed.

The band's journey is a testament to the power of community, shared passion, and a whole lot of talent. With their infectious energy and powerful message, The Linda Lindas are a force to be reckoned with, inspiring a new generation of musicians and listeners alike.

The Police: A Rock Revolution

The Police, a legendary English rock band, emerged from the vibrant music scene of London in 1977. Within a short time, their lineup solidified with the iconic trio of Sting (the enigmatic vocalist, bassist, and primary songwriter), Andy Summers (the virtuoso guitarist), and Stewart Copeland (the dynamic drummer and percussionist). This formidable lineup remained steadfast throughout the band's illustrious career.

The Police quickly captured the hearts of music lovers worldwide in the late 1970s and early to mid-1980s. They rose to prominence amidst the British new wave movement, blending elements of punk, reggae, and jazz into their signature rock sound.

Their debut album, "Outlandos d'Amour" (1978), soared to the UK's top 6, fueled by the infectious singles "Roxanne" and "Can't Stand Losing You." Their sophomore effort, "Reggatta de Blanc" (1979), marked a pivotal moment in their career, achieving a coveted No. 1 spot in both the UK and Australia. It spawned the chart-topping hits "Message in a Bottle" and "Walking on the Moon," catapulting the band to international stardom.

The Police continued their winning streak with "Zenyatta Mondatta" (1980) and "Ghost in the Machine" (1981). These albums yielded further critical acclaim and commercial success, including the UK number-one singles "Don't Stand So Close to Me" and "Every Little Thing She Does Is Magic," which also resonated with audiences globally. "Zenyatta Mondatta" proved to be a monumental breakthrough in the US, reaching number five on the Billboard 200.

Their final studio album, "Synchronicity" (1983), topped the charts in the UK and US, cementing their legacy as one of the most influential rock bands of all time.

The White Stripes: A Garage Rock Revolution

Emerging from the gritty streets of Detroit in 1997, The White Stripes were a raw force of nature. Comprised of the enigmatic Jack White on guitar and vocals, and his equally enigmatic drummer Meg White, they became a leading light of the 2000s indie and garage rock revival.

Their early years were spent honing their sound in the Detroit music scene, releasing six singles and two albums: their self-titled debut (1999) and the more experimental De Stijl (2000). But it was the explosive energy of White Blood Cells (2001) and the raw power of Elephant (2003) that truly propelled them to stardom. These albums, imbued with a raw, visceral energy, placed them at the forefront of the garage rock revival movement.

The iconic "Seven Nation Army," with its instantly recognizable riff created using a guitar and octave pedal, became their anthem, showcasing their ability to distill complex ideas into simple, unforgettable melodies. They continued their reign with Get Behind Me Satan (2005) and Icky Thump (2007), further solidifying their status as rock icons.

The White Stripes embraced a lo-fi aesthetic, their music a potent cocktail of blues and garage rock influences. Their stripped-back approach, both in writing and recording, emphasized simplicity and rawness. Their stark visual aesthetic, centered around a red, white, and black color scheme, was as iconic as their music, as was their fascination with the number three, evident in their song titles, album releases, and stage performances.

After a hiatus, the band officially disbanded in 2011, leaving behind a legacy of uncompromising, raw rock and roll that continues to inspire and captivate generations of music lovers. Their impact on the music world is undeniable, reminding us that sometimes, the simplest ingredients can create the most powerful and enduring music.

Tizzy Bac, also known as Tieh Chih Bei Ke (鐵之貝克) in Chinese, is an independent Taiwanese band formed in 1999. The band consists of three members: Chen Hui-Ting (vocalist and keyboardist), Hsu Che-Yu (bassist), and Lin Chien-Yuan (drummer). They are primarily active in northern Taiwan, performing at various venues in Taipei City. Their bassist, Hsu Che-Yu, passed away on January 23, 2018 due to cancer.

== Band Introduction ==

Tizzy Bac was originally formed in December 1999 by Chen Hui-Ting (vocalist and keyboardist), Hsu Che-Yu (bassist), and Cheng Kai-Tong (drummer). The songwriting for the band is mainly handled by the vocalist, Hui-Ting, with lyrics focused on exploring the challenges and predicaments of modern life and love. As a result, they self-identify as a "grumbling" band. Due to the themes of their lyrics, Tizzy Bac's music tends to resonate with audiences who have a richer life experience, leading some to categorize their music as "Adult Alternative."

In 2002, drummer Cheng Kai-Tong left the band to join the Mint Leaf Band, also serving as the drummer for Zhang Xuan & Algae. In 2003, drummer Lin Chien-Yuan joined Tizzy Bac.

Tizzy Bac, however, does not have a guitarist, a common feature in most bands. They use a keyboard (primarily a piano sound) as the main melody instrument, creating a unique "piano rock" style, earning them the title of "Taiwan's Ben Folds Five." The distortion sound that is prevalent in Tizzy Bac's music comes from the bass through effects pedals, not from a guitar.

Hailing from Indianapolis, Indiana, Wishy is a rising indie rock force. The band, featuring Kevin Krauter (formerly of Hoops), Nina Pitchkites, Conner Host, Mitch Collins, and Dimitri Morris, exploded onto the scene in 2021. After laying down their groundwork with the 2023 EPs Mana and Paradise, Wishy unleashed their highly anticipated debut full-length album, Triple Seven, via Winspear on August 16th, 2024. Already generating buzz, the band is set to hit the road on a late 2024 tour.

Young Drag Band, an independent rock band from mainland China, was formed in Qinzhou, Guangxi in 2016. The band members are Liu Ximon, Guo Weilen, and Jian Dan. They primarily play Indie rock, incorporating elements of DISCO, NEW WAVE, Post-Punk, and other musical forms. Their catchy guitar riffs and retro, minimalist drum beats, combined with the lead singer's playful and magnetic vocals, have become their signature sound. Since their formation, both their arrangements and live performances have captivated audiences, both new and old. In a short period, they have quickly established themselves as a band with a distinctive sound and taste in the Beibu Gulf region. They have also become widely recognized as a "rejuvenating" elixir in the Beibu Gulf region, praised by bands from other provinces. Their music draws inspiration from the people and events around them, but ultimately stems from the heart, showcasing a free-spirited approach while remaining introspective.

Artistic Journey:

• 2019: Independently released the EP "Things Excited to Death" and began the Guangxi joint tour "Exclusive Dan Meeting Event."
• 2020: Independently released the second EP "Superstar," further solidifying their signature "rejuvenating" style and receiving widespread praise from industry professionals.