Winds of Plague, the pioneering deathcore band from Upland, California, burst onto the scene in 2002, initially under the name Bleak December. Their unique blend of brutal deathcore and symphonic elements quickly set them apart, establishing them as early innovators in the genre. The bands name, adopted in April 2005, is a direct quote from Unearths "Endless": "Growing wings of sorrow/have brought you to the winds of plague."

Their independent 2005 demo, A Cold Day in Hell, showcased their raw talent and foreshadowed their future success. Several tracks from this demo would later find their way onto their debut full-length.

In 2008, Winds of Plague signed with Century Media Records and unleashed Decimate the Weak, featuring re-recorded material from A Cold Day in Hell alongside new, devastating tracks. This solidified their position in the deathcore scene. Following up with The Great Stone War on August 11, 2009, the band continued to evolve their sound amidst lineup changes.

Silence, the Pittsburgh metalcore quintet, exploded onto the scene in 2015. Their initial sonic assault, the *Unrequited, Unrefuted, and Undeniably - Im Alone* EP, laid the groundwork for their 2016 debut full-length, *And Everything Was Beautiful*. However, a significant lineup overhaul preceded their 2018 release, *Undercover Scumbag*, marking a pivotal shift in the bands trajectory. This reinvigorated Silence went on to unleash Irrational Pull in 2020 and Narrative in 2022, solidifying their place in the metalcore landscape.

Their 2024 album, People Watching, represents a powerful evolution, showcasing a heavier, more distinctly metalcore sound, a departure from their earlier hardcore roots. Tragically, the band announced the unexpected passing of bassist Lukas Booker in March 2025. Despite this devastating loss, Silence bravely committed to their upcoming tour supporting Silent Planet and Invent Animate, a testament to their resilience and dedication to their music and fans.

Hailing from Layton, Utah, Get Scared emerged onto the post-hardcore scene in 2008. Their initial foray involved the 2009 EP Cheap Tricks and Theatrics, followed by a self-titled EP in 2010. The band solidified their presence with their debut full-length, Best Kind of Mess, in July 2011. A brief period of lineup instability ensued when guitarist Nicholas Matthews temporarily departed to join Blacklisted Me. This resulted in the surprise release of Cheap Tricks and Theatrics B-Sides in December 2011. Matthews absence was filled by Joel Faviere, leading to the 2012 EP *Built for Blame, Laced With Shame*. However, Favieres tenure was short-lived, and Matthews returned to the fold a few months later.

Reunited and signed to Fearless Records, Get Scared unleashed their second album, *Everyones Out to Get Me*, in 2013. Their 2015 release, *Demons*, marked a significant stylistic shift, trading their earlier post-hardcore sound for a more metalcore-influenced approach. The bands final album, The Dead Days, arrived in 2019, coinciding with a hiatus that ultimately ended in their disbandment. Vocalist Nicholas Matthews later confirmed the breakup, citing irreconcilable differences between the members.

Death Angel, the seminal thrash metal band from Daly City, California, exploded onto the scene in 1982, leaving an undeniable mark on the Bay Area and beyond. Initially active until 1991, their legendary status solidified through a relentless touring schedule and a string of critically acclaimed albums. Their discography boasts nine studio albums, two demos, a box set, and three live albums – a testament to their enduring legacy.

While the lineup has seen significant changes over the decades, guitarist Rob Cavestany remains the sole constant member. He and vocalist Mark Osegueda (who joined in 1984) are the only members to appear on every studio album, forming the core of Death Angel`s signature sound.

In the 1980s, Death Angel reigned supreme as a Bay Area thrash titan, sharing stages with heavyweights like Megadeth, Metallica, Slayer, Exodus, Testament, Overkill, D.R.I., Mercyful Fate, and Possessed. Their impact is undeniable; often cited as a leader of the second wave of thrash, they’re considered part of the genre`s "Big Eight" (alongside Metallica, Megadeth, Slayer, Anthrax, Testament, Exodus, and Overkill) and the "Big Six" of Bay Area thrash (with Exodus, Testament, Lȧȧz Rockit, Forbidden, and Vio-lence).

Following the underground success of The Ultra-Violence (1987) and Frolic Through the Park (1988), Death Angel signed to Geffen Records in 1989, releasing Act III the following year. Tragedy struck during the Act III tour when drummer Andy Galeon was severely injured in a bus accident, leading to the band`s initial disbandment in 1991.

Death Angel triumphantly returned in 2001 (minus original rhythm guitarist Gus Pepa) at the "Thrash of the Titans" benefit concert for Testaments Chuck Billy. Since then, they’ve released six more albums, including 2019s Humanicide, which earned them a Grammy nomination. With a tenth studio album tentatively slated for 2025, Death Angel continues to prove their enduring power and influence on the thrash metal landscape.

Failure: A Deep Dive into the Alternative Rock Pioneers

Failure, the Los Angeles-based alternative rock band, carved a significant niche in the 90s scene and enjoys a fervent resurgence today. Active from 1990 to 1997, and again since 2014, their discography boasts six studio albums and five EPs, solidifying their status as influential alt-rock innovators.

1990-1997: From Comfort to Cult Status

Their journey began in earnest in 1992 when they inked a deal with Slash Records (distributed by Warner Bros. in the US). They decamped to Minnesota’s Pachyderm Studio to record their debut, Comfort, with legendary producer Steve Albini. Released that September, Comfort marked their introduction, coinciding with early tours supporting the influential band Tool.

However, the band found themselves dissatisfied with Comfort`s raw, almost documentary-style production, clashing with their vision. Seeking a more polished and produced sound, they took matters into their own hands for their second album. In 1993, during the recording process for Magnified, drummer Will Gauss departed, forcing guitarist Greg Edwards to step in temporarily until Kellii Scott joined. The self-produced Magnified, released in March 1994, showcased a significant leap in sonic ambition. While a promotional video for "Undone" garnered little mainstream attention, critical acclaim followed, acknowledging their evolution and attracting the attention of fellow musicians. Magnified, in particular, became highly influential within the wider alt-rock community.

Turnstile, the Baltimore hardcore punk powerhouse, exploded onto the scene in 2010. Since then, theyve built an impressive discography: five EPs and four full-length albums, showcasing their evolution from raw energy to genre-bending innovation. Their breakout moment arrived with 2021s Glow On, a critically acclaimed and commercially successful album that catapulted them into the mainstream. The singles "Holiday" and "Blackout" earned them three Grammy nominations at the 65th Annual Grammy Awards, solidifying their status as a major force in modern music.

Early Years and Nonstop Feeling

Emerging from Baltimore`s vibrant hardcore scene, Turnstile released their debut EP, Pressure to Succeed, in 2011, followed by Step 2 Rhythm in 2013, both via Reaper Records. Their full-length debut, Nonstop Feeling, dropped in 2015, produced by Brian McTernan at Salad Days Studios. Extensive touring followed, including East and West Coast runs with Superheaven (the "Nonstop Feeling Tour") and support for New Found Glory. This period also marked a lineup change, with guitarist Sean Coo departing and being replaced by Pat McCrory of the Maryland hardcore band Angel Du$t.

A Perfect Circle, the American rock supergroup, emerged from the Los Angeles music scene in 1999, a collaboration between guitarist Billy Howerdel and Tool frontman Maynard James Keenan. Their prolific early 2000s period yielded three studio albums: the debut Mer de Noms (2000), followed by Thirteenth Step (2003), and the innovative covers album Emotive (2004). However, the band`s activity has always been punctuated by extended hiatuses. Following Emotive, Keenan focused on Tool and his Puscifer project, while Howerdel released a solo album under the name Ashes Divide.

Though the band reunited for sporadic live performances between 2010 and 2013, culminating in the release of Three Sixty (greatest hits) and A Perfect Circle Live: Featuring Stone and Echo (live album box set), another significant break followed. A revival in 2017 led to the recording and release of their fourth studio album, Eat the Elephant (2018), followed by a supporting tour. The band remained largely inactive until a brief 2024 tour and the release of the single "Kindred."

The ever-shifting lineup, a consequence of Keenans other commitments, has seen a revolving door of musicians. While Keenan and Howerdel remain the only constant members, the initial lineup featured Paz Lenchantin on bass, Troy Van Leeuwen on guitar, and Tim Alexander on drums (the latter appearing on only a single track before being replaced by Josh Freese). Danny Lohner and Jeordie White also contributed significantly during the bands early years. This fluid membership, alternating between periods of creative output and extended silence, has become a defining characteristic of A Perfect Circle’s unique history.

Dry Kill Logic, the Westchester County, New York heavy metal band, exploded onto the scene in 1995, initially operating under the names Hinge and Hinge AD. Their journey to becoming a force in the metal world is marked by three full-length albums, but their story begins much earlier.

The Psychodrama Records Era (1997-1999):

Four years into their existence, Hinge self-released their debut EP, Cause Moshing is Good Fun, via their own label, Psychodrama Records, in 1997. This was followed by their second EP, Elemental Evil, in 1999, also self-released. This nine-track effort proved pivotal, propelling them to open for major acts like Coal Chamber, Incubus, Anthrax, and System of a Down, showcasing their raw power and establishing their presence in the burgeoning metal scene.

The Darker Side of Nonsense (2000-2003) and Beyond:

2000 marked a significant turning point. Hinge signed with Roadrunner Records, a major label deal. However, this came with a crucial caveat: a name change. A recording studio held the copyright to the name "Hinge," forcing the band to rebrand. After briefly using "Hinge AD," they ultimately settled on the moniker Dry Kill Logic after facing legal threats.

Under their new name, they released their debut album, The Darker Side of Nonsense, on June 5th, 2001. The album featured a guest appearance by J-Sin (vocals) and Bobby Burns (guitar) of Primer 55 on the track "Give Up, Give In, Lie Down," adding another layer to their already compelling sound. The band`s subsequent releases further solidified their reputation in the heavy metal genre.

The Ataris, a punk rock band hailing from Anderson, Indiana, exploded onto the scene in 1996. Their distinctive sound, forged in Kris Roes bedroom using a four-track and drum machine, landed them a record deal with Kung Fu Records—a stroke of luck facilitated by a demo tape making its way to Joe Escalante of The Vandals. Between 1997 and 2007, they released five studio albums, achieving mainstream success with their 2003 gold-certified album, *So Long, Astoria*. This albums standout track, a high-charting cover of Don Henleys "The Boys of Summer," catapulted them to a wider audience. While the bands lineup fluctuated, the sole constant throughout their history was the singer, songwriter, and guitarist Kris Roe. Their humble beginnings, from bedroom demos to a Kung Fu Records deal, is a classic underdog story in the punk rock pantheon.

Cattle Decapitation, the San Diego deathgrind titans, emerged in 1996. While the original lineup—featuring vocalist Scott Miller, guitarist Gabe Serbian, and drummer Dave Astor—is long gone, the bands legacy endures. Their early work, including the ferocious *Ten Torments of the Damned* demo (1996), laid the groundwork for their brutal sound. A pivotal moment arrived with Travis Ryans 1997 recruitment, solidifying his position as a deathgrind icon. The subsequent Human Jerky (1999) and Homovore (2000) EPs, both recorded at Double Time Studios with engineer Jeff Forrest, further honed their signature style. By 2001, all founding members had departed, with Serbian moving on to The Locust. Despite the significant lineup changes, Ryan, along with guitarist Josh Elmore (a later addition), remain the only constants throughout Cattle Decapitations eight-album discography, cementing their status as the bands core creative force.