Tizzy Bac

"Glaze" or "glazing" can refer to a few things in the rock music world, so let's break it down:

1. Guitar Effects:

• "Glaze" often describes a subtle, shimmering effect achieved with reverb, delay, or even chorus pedals. It can give the guitar a dreamy, ethereal quality, adding depth and texture.
• "Glazing" can be used as a verb, describing the act of applying this effect to the guitar sound.

2. Vocal Techniques:

• "Glaze" can also describe a vocal technique, often used in alternative rock or indie music. It involves a soft, ethereal vocal delivery, often with a slight vibrato, giving a sense of intimacy and emotion.
• Again, "glazing" would be the verb form, describing the act of singing with this technique.

3. Production Techniques:

• Sometimes, "glazing" refers to a broader production technique used to create a lush, spacious sound. This might involve layering instruments, using reverb generously, or manipulating audio for a shimmering, almost dreamlike quality.

In essence, "glaze" and "glazing" both imply adding a layer of sonic beauty and texture to a song, whether it's through a specific guitar effect, vocal technique, or broader production choices.

The Smashing Pumpkins: A Legacy of Alternative Rock

The Smashing Pumpkins, often shortened to simply "Pumpkins," are an American alternative rock powerhouse hailing from Chicago. Formed in 1988 by the enigmatic Billy Corgan (frontman and guitarist), D'arcy Wretzky (bassist), James Iha (guitarist), and Jimmy Chamberlin (drummer), the band has become synonymous with the 90s alt-rock scene. Despite numerous lineup changes since their 2006 reunion, Corgan remains the band's driving force, acting as primary songwriter and the only constant member since its inception. The current lineup features Corgan, Chamberlin, and Iha, showcasing a return to the band's classic roots.

The Pumpkins' sound is a dynamic blend of various rock subgenres, making them a force to be reckoned with. Their music incorporates elements of gothic rock, heavy metal, grunge, psychedelic rock, progressive rock, shoegaze, dream pop, and electronica, resulting in a densely layered and diverse sonic landscape that has evolved throughout their career.

Their debut album, Gish (1991), garnered underground acclaim, foreshadowing their explosive rise. The band truly cemented their status with their sophomore effort, Siamese Dream (1993), released amidst the burgeoning alternative rock wave. Despite a tumultuous recording process, the album became a critical darling, solidifying its place as one of the genre's defining works.

The Pumpkins continued to conquer the charts with their third album, Mellon Collie and the Infinite Sadness (1995). This double album debuted at number one on the Billboard 200 and achieved Diamond certification from the RIAA, a testament to its colossal success. Critical acclaim showered the album, further solidifying the band's dominance.

Following the release of Adore (1998), the band embarked on a two-part project in 2000, Machina and Machina II, before ultimately disbanding due to internal conflicts, drug abuse, and waning commercial success by the late 90s.

The Smashing Pumpkins left an undeniable mark on the world of alternative rock, influencing countless artists and leaving behind a legacy of iconic albums and unforgettable songs that continue to resonate with fans worldwide.

No Party For Cao Dong: A Story of Indie Rock Rebellion

No Party For Cao Dong (草東沒有派對), a Taiwanese indie rock band known for their raw energy and emotional depth, has emerged as a formidable force in the Asian music scene.

From Schoolyard Jams to Underground Icons:

The band's roots lie in the familiar story of friendship and shared passion. Guitarists and vocalists Wood Lin and Judy Chan, who met in high school and remained close throughout their time at Taipei National University of the Arts, were driven by a shared love for music. Their journey began in 2012 as "Party at Cao Dong Street," a name inspired by the bustling street in Taipei's Shilin District, a place where they often found themselves, whether it was Lin skateboarding or Chan running alongside him.

Their early sound, infused with the electronic rock influences of Two Door Cinema Club, resonated on campus and beyond. However, a series of lineup changes, including the departures of their original bassist and drummer, led them to rebrand as "No Party For Cao Dong" in 2014. The band found new collaborators in FUBAR frontman Sam Cheng on bass and Leo Liu on drums, injecting fresh energy into their sound.

A Year of Silence, a New Beginning:

The band’s trajectory took an unexpected turn when Cheng was called up for military service, forcing them into a year-long hiatus. This period of reflection proved crucial for No Party For Cao Dong, as they began to approach their music with a newfound seriousness. They sought to craft something more meaningful, a sound that truly reflected their evolving selves.

Upon Cheng's return, the band decided to embrace a different direction, choosing to re-establish a solid foundation. They welcomed Sam Yang, another graduate of Taipei National University of the Arts, to fill the bass position. This lineup change, combined with their renewed focus, marked a significant turning point for No Party For Cao Dong.

The Beginning of a Legacy:

Their early tracks, "Old Zhang," "Grisly Me," and "Fifty," uploaded online, showcased their raw talent and their ability to translate personal experiences into powerful musical expressions. These tracks, imbued with a gritty, emotional intensity, became a harbinger of the band's future success, solidifying their place as a vital force in the world of Taiwanese indie rock.

The Iron Roses are a force of nature, a vibrant tapestry of talent woven into a musical entity that yearns to reshape the world. Their music, forged in the fires of contemporary injustice, resonates with the raw power of seasoned musicians channeling their righteous anger into protest anthems. Unwavering in their commitment, their voices still roar with the fire of rebellion, refusing to succumb to apathy.

Witnessing these six individuals pour their souls into their truth is an awe-inspiring spectacle. Their growth over the past few years, a testament to their unwavering spirit, has culminated in this powerful new record. The Iron Roses, and their music, embody a potent cocktail of strength, love, and passion - qualities desperately needed in our troubled times.

Band of Horses: A Seattle Sound That's Stood the Test of Time

Band of Horses, hailing from the vibrant music scene of Seattle, Washington, emerged in 2004. Spearheaded by the soulful songwriting of Ben Bridwell, the band has weathered numerous lineup changes, but Bridwell's presence remains a constant, anchoring their signature sound.

The current lineup features a solid core of veterans: Creighton Barrett on drums, a powerhouse behind the kit, and Ryan Monroe, who brings versatility to the mix with keyboards, guitar, and backing vocals. Rounding out the band are Matt Gentling on bass and backing vocals, and Brett Nash, adding another layer of guitar and harmonies.

For a decade, the band enjoyed a remarkably stable lineup with guitarist Tyler Ramsey and bassist Bill Reynolds, who left in 2017 after a long and successful period together. Their contributions are woven into the fabric of the band's early albums, including the critically acclaimed Cease to Begin (2007).

Throughout their career, Band of Horses has released six studio albums, each offering a distinct sonic tapestry: Everything All the Time (2006), Cease to Begin, Infinite Arms (2010), Mirage Rock (2012), Why Are You OK (2016), and Things Are Great (2022). Infinite Arms earned the band a Grammy nomination in 2011, further solidifying their place in the rock landscape.

The Early Days:

Band of Horses, originally known simply as "Horses," formed in 2004 after the breakup of Bridwell's previous band, Carissa's Wierd. The original lineup included Chris Early on bass, Tim Meinig on drums, and Mat Brooke, another Carissa's Wierd alum, on guitar and vocals.

Their early gigs caught the attention of Sub Pop Records after opening for Iron & Wine in Seattle. This led to the release of their Tour EP in 2005, generating buzz among fans and industry insiders alike.

Their debut album, Everything All the Time, recorded with producer Phil Ek in 2005, marked their official entry into the music scene. The album showcased the band's raw energy and distinctive blend of Americana and indie rock, and was released by Sub Pop in March 2006.

The band's journey since then has been a compelling mix of lineup changes, critical acclaim, and enduring musicality. Band of Horses remains a vital force in the world of rock, leaving an indelible mark on the Seattle sound and beyond.

The Police: A Rock Revolution

The Police, a legendary English rock band, emerged from the vibrant music scene of London in 1977. Within a short time, their lineup solidified with the iconic trio of Sting (the enigmatic vocalist, bassist, and primary songwriter), Andy Summers (the virtuoso guitarist), and Stewart Copeland (the dynamic drummer and percussionist). This formidable lineup remained steadfast throughout the band's illustrious career.

The Police quickly captured the hearts of music lovers worldwide in the late 1970s and early to mid-1980s. They rose to prominence amidst the British new wave movement, blending elements of punk, reggae, and jazz into their signature rock sound.

Their debut album, "Outlandos d'Amour" (1978), soared to the UK's top 6, fueled by the infectious singles "Roxanne" and "Can't Stand Losing You." Their sophomore effort, "Reggatta de Blanc" (1979), marked a pivotal moment in their career, achieving a coveted No. 1 spot in both the UK and Australia. It spawned the chart-topping hits "Message in a Bottle" and "Walking on the Moon," catapulting the band to international stardom.

The Police continued their winning streak with "Zenyatta Mondatta" (1980) and "Ghost in the Machine" (1981). These albums yielded further critical acclaim and commercial success, including the UK number-one singles "Don't Stand So Close to Me" and "Every Little Thing She Does Is Magic," which also resonated with audiences globally. "Zenyatta Mondatta" proved to be a monumental breakthrough in the US, reaching number five on the Billboard 200.

Their final studio album, "Synchronicity" (1983), topped the charts in the UK and US, cementing their legacy as one of the most influential rock bands of all time.