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The Sisters of Mercy

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Band Timeline

1980

Formation of The Sisters of Mercy in Leeds

The Sisters of Mercy were formed in Leeds, England, in 1980 by Gary Marx and Andrew Eldritch. Initially driven by the desire to hear their music on the radio, the band went through several lineup changes before stabilizing. Early members included vocalist Keith Fuller and keyboardist Claire Shearsby, but the core soon reduced to Eldritch and Marx. The band's unique sound began to take shape during this time, combining post-punk and gothic rock elements. The band name was inspired by Leonard Cohen's song "Sisters of Mercy," connecting their artistic identity to a broader cultural context.
1981

Establishment of Definitive Lineup and Early Performances

In 1981, The Sisters of Mercy established what is broadly considered their first definitive lineup, consisting of Andrew Eldritch on vocals and lyrics, Gary Marx and Craig Adams on guitars and bass respectively, and the drum machine Doktor Avalanche replacing a live drummer. This mechanized percussion became a signature aspect of their sound. The band performed their early gigs at venues like the Riley Smith Hall of Leeds University Union and Alcuin College in York, building an underground following. These formative performances were crucial for developing their musical style and gaining grassroots support.
1985

Release of Debut Album 'First and Last and Always'

The Sisters of Mercy released their first studio album, 'First and Last and Always,' in 1985. This album marked their commercial breakthrough and captured the dark, atmospheric soundscapes that define gothic rock. It was produced with Andrew Eldritch and incorporated the distinctive drum machine alongside melodic guitar layers. The album solidified their reputation in the alternative music scene and included tracks that remain influential. Line-up changes followed this release, but the band’s identity around Eldritch and Doktor Avalanche remained steady. This album remains an essential piece of the band’s legacy.
1987

Release of 'Floodland' and Lineup Shift

In 1987, The Sisters of Mercy released their second studio album, 'Floodland,' which featured a new lineup and a broader, more synth-heavy sound. This record diverged somewhat from their earlier guitar-driven style, incorporating lush electronic textures and a dramatic, expansive atmosphere. Eldritch continued as the central creative figure, with the drum machine maintaining its role. 'Floodland' received critical acclaim and further expanded the band's fanbase, defining their status as icons in the gothic rock genre. The album’s themes and production style influenced many bands in the late 1980s alternative scene.
1990

Release of Third Album 'Vision Thing' and Continued Success

The Sisters of Mercy's third studio album, 'Vision Thing,' came out in 1990 with yet another lineup change. This album presented a more rock-oriented and hard-edged sound compared to the atmospheric qualities of 'Floodland.' It featured politically charged lyrics and a muscular style that distinguished it in their discography. The release occurred during a period when the band enjoyed considerable success and touring activity. However, despite their ongoing popularity, this would be their final studio album for many years due to upcoming disputes with their record label.
Early 1990s

Recording Halt and Contract Disputes with WEA/East West Records

In the early 1990s, The Sisters of Mercy ceased releasing new studio material following disputes between Andrew Eldritch and their record company, WEA (known as East West Records). Eldritch's contract was with the label individually rather than with the band, complicating the situation. The dispute resulted in Eldritch owing the label two more albums, but negotiations led to a termination agreement contingent on Eldritch delivering a solo album under the name SSV. This period marked an interruption in the band's recording activity, shifting their focus more towards live performances and managing legal challenges.
1997

Andrew Eldritch's Solo Album 'Go Figure' as SSV

As part of the contract resolution with East West Records, Andrew Eldritch recorded and produced 'Go Figure' in 1997 under the moniker SSV. The album featured techno-like droning music with Eldritch’s characteristic mumbled vocals but was never officially released by the label. Despite this, bootleg versions circulated among fans, maintaining a cult interest around the project. This release marked a significant departure from The Sisters of Mercy’s gothic rock style and reflected Eldritch's exploration of different musical terrains during the band’s hiatus from official album releases.
Post-1997 to Present

The Sisters of Mercy as a Touring Band without New Studio Releases

Following their release from East West Records, The Sisters of Mercy have not signed with another label nor issued new official studio albums. Nonetheless, the band remains active primarily as a touring group, performing live shows that often include new and unreleased songs. Andrew Eldritch continues as the sole constant member alongside the drum machine Doktor Avalanche, with various lineups supporting him onstage. The band's enduring live presence has kept their legacy vibrant, influencing numerous artists and maintaining a dedicated global fanbase despite the absence of new commercial releases.

Albums

the-sisters-of-mercy_1st_album
First and Last and Always
10 tracks
1985
the-sisters-of-mercy_2nd_album
Floodland
8 tracks
1987
the-sisters-of-mercy_3rd_album
Vision Thing
8 tracks
1990
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Members

Current

Name
Begin
Occupation

Andrew Eldritch

1980

Kai

2023

Ben Christo

2006

History

Name
Begin
End
Occupation

Tony James

1989
1991

Wayne Hussey

1983
1985

Craig Adams

1980
1985

Gary Marx

1980
1985

Dylan Smith

2019
2023

Andreas Bruhn

1989
1993

Chris Sheehan

2000
2005

Adam Pearson

1993
2005

Dan Donovan

1990
1990

Tim Bricheno

1990
1992

Mike Varjak

1997
1999

Chris Catalyst

2005
2018

Chris Sheehan

1996
1996

Ben Gunn

1981
1983

Patricia Morrison

1987
1989

Story of The Sisters of Mercy

The Sisters of Mercy: A Gothic Rock Legacy

Hailing from the vibrant music scene of Leeds, England, The Sisters of Mercy emerged in 1980. Their unique blend of gothic rock, infused with elements of post-punk and darkwave, quickly gained them a devoted following in the underground music scene. The band achieved mainstream success in the mid-1980s, releasing a string of acclaimed albums that cemented their place as pioneers of the gothic rock genre.

The Sisters of Mercy's three original studio albums - "First and Last and Always" (1985), "Floodland" (1987), and "Vision Thing" (1990) - each showcased a distinct musical evolution, yet remained unified by the constant presence of the band's visionary frontman, Andrew Eldritch, and the driving force of the Doktor Avalanche drum machine.

Their journey, however, was marked by internal conflict and a tumultuous relationship with their label, WEA. The band's frustration with the label's handling of their career culminated in a public protest in the early 1990s, when they refused to release new material. This led to a period of artistic stagnation, during which WEA released the album "Go Figure" under the name SSV, without the Sisters' involvement.

Despite being released from their contract with WEA, The Sisters of Mercy have remained independent, choosing not to sign with another label or release new studio albums. However, they have continued to tour extensively, captivating audiences with their dark and captivating live performances, often showcasing new, unreleased material.

The band's influence on the goth and alternative music scenes is undeniable. Their legacy is further cemented by the successful careers of former members, who went on to form iconic bands like Ghost Dance and The Mission. The Sisters of Mercy's story remains a testament to their enduring musical vision and their unwavering commitment to artistic integrity.

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